beyonce age |
- 11 of America's richest self-made women are under age 40, according to Forbes - CNBC
- Blue Ivy Carter Looks Like She Is Coming For Beyonce’s Throne In New Pictures Posted By Tina - Celebrity Insider
- Watch Adele Rip Through Nicki Minaj’s ‘Monster’ Verse at Los Angeles Party - Yahoo Entertainment
- How Tyler Mitchell Highlights Black Life Through Fashion Photography - TeenVogue.com
11 of America's richest self-made women are under age 40, according to Forbes - CNBC Posted: 04 Jun 2019 12:01 PM PDT Forbes released its annual list of America's richest self-made women on Tuesday. Among the 80 members with a net worth of at least $225 million, 11 are under the age of 40: four are in their 20s and seven are in their 30s. In 2017, just three women under the age of 40 made Forbes' list, though it only included 60 members. Today, "More women are creating new businesses and amassing fortunes than ever before," Forbes reports. "As a result, Forbes has expanded our ranking of the nation's wealthiest self-made women to 80 ceiling crashers, one-third more than a year ago." The top-ranked self-made woman also happens to be the youngest: 21-year-old Kylie Jenner, who is the youngest self-made billionaire ever. Her makeup empire, Kylie Cosmetics, is worth an estimated $900 million and projected to rake in $1 billion in lifetime sales by 2022. When Forbes named her the youngest billionaire in history, critics took issue with the description of Jenner as self-made because she was born into wealth and fame. Forbes defines self-made as "anyone who did not inherit his or her fortune." You can find more details about Forbes' methodology and criteria here. Rihanna, America's richest female musician, made the list for the first time. The 31-year-old Grammy winner has earned the bulk of her wealth from her makeup line, Fenty Beauty, which generated about $570 million in sales last year. Though she's worth an estimated $600 million, Rihanna doesn't plan on slowing down. "I never thought I'd make this much money, so a number is not going to stop me from working," the music icon told T: The New York Times Style Magazine in a 2019 interview. Here's the full list of America's richest self-made women under age 40, listed from highest to lowest net worth. Kylie Jenner Makeup mogul, founder of Kylie Cosmetics Age: 21 Huda Kattan Makeup artist and beauty blogger, co-founder of Huda Beauty Age: 35 Rihanna Musician, founder of cosmetics brand Fenty Beauty Age: 31 Beyoncé Knowles Musician, co-founder of activewear brand Ivy Park Age: 37 Katrina Lake Founder and CEO of online personal styling service Stitch Fix Age: 36 Taylor Swift Musician, 10-time Grammy winner Age: 29 Neha Narkhede Co-founder and CTO of streaming platform Confluent Age: 34 Kim Kardashian West Founder of cosmetics company KKW Beauty Age: 38 Whitney Wolfe Herd Founder and CEO of dating app Bumble Age: 29 Karissa Bodnar Founder and CEO of Thrive Causemetics, a vegan cosmetics brand Age: 29 Serena Williams Athlete, founder of Serena Ventures, which focuses on investing in companies founded by women and minorities Serena Williams Julian Finney | Getty Images Sport | Getty Images |
Posted: 05 Jun 2019 02:17 AM PDT Beyonce stunned the audience at the Wearable Art Gala together with her young daughter, Blue Ivy Carter. The mother and daughter made an appearance wearing matching outfits promoting Beyonce's own upcoming film, The Lion King. Many people took notice of the two, and it did not take long before pictures of them started circulating social media. And as can be expected, most online commenters were thrilled by what they saw. Of course, it is probably no surprise that the two picked this particular event to pull off their matching outfits trick, as the gala was hosted by none other than Tina Knowles Lawson. Many of the comments were particularly positive about Blue Ivy's outfit and how well she had managed to match the one worn by her mom. And it looked like the two managed to have a great time at the gala too, based on the many pictures that were shared from the event later on. It does look like they managed to steal all the attention at the event itself, judging by some of the images, but that is probably not something that people in attendance minded. After all, the chance to be next to Beyonce and her daughter at an event like this is nothing to miss out on, and it should be expected that they would dominate with their presence. The event went through without any hitches, and everyone reported a great time afterward. Beyonce herself seems to have especially enjoyed the opportunity to have a great night out with her daughter. One fan said this about the pictures: "She's coming for Beyoncé throne. I thought that was Beyoncé as a child. Beautiful! My favorite outfit of the evening!! Go Blue!!" Another commenter shared: "She really looks like Beyoncé 💛 dem' genes strong strong 🔥Wow, it's my wedding dress 😂. A Leo's dream." This fan stated: "I thought this was an old pic of bey! Just the cutest little African princess ever. This is what im wearing to work tomorrow." This backer wrote: "Babygirl has the pose perfected and yet [email protected] age appropriate- I love it❤️With so much creativity flowing through Blue from grandma, mom, dad, and aunties the world can't possibly be ready!" Advertisement Jay-Z's wife and daughter never do things in a small way. Post Views: 400
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Watch Adele Rip Through Nicki Minaj’s ‘Monster’ Verse at Los Angeles Party - Yahoo Entertainment Posted: 05 Jun 2019 08:19 AM PDT Adele dusted off one of her favorite party tricks while out in Los Angeles this week: her ability to perfectly rap Nicki Minaj's famed verse from Kanye West's star-studded hit "Monster." She previously showed off this skill on The Late Late Show With James Corden's Carpool Karaoke segment. Instagram user Patrick Buchanan captured the fortuitous appearance at the #NoMoreWackParties event on Tuesday night. The casually dressed singer-songwriter who was presumably not planning on launching her rap career that evening took the microphone in front of the DJ and spit Minaj's rhymes out with no aid. Buchanan also filmed Adele dancing to Beyoncé's "Formation" with a group of fellow attendees. Related stories Grammys 2017: 5 Reasons Why Adele Won Album of the Year Instead of Beyonce The 20 Best Carpool Karaoke Episodes, Ranked Adele has taken some time off since her massive world tour in support of her Grammy-winning 2015 album 25. On her 31st birthday, Adele referred to her next LP as being titled 30 in an Instagram post, keeping in line with the age theme of her previous three records, and joked that it would be "a drum n bass record to spite you," in reference to her fans begging for new music on social media. Sign up for Rolling Stone's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram. |
How Tyler Mitchell Highlights Black Life Through Fashion Photography - TeenVogue.com Posted: 05 Jun 2019 07:39 AM PDT In this op-ed, Darnell-Jamal Lisby writes about the importance of photographer Tyler Mitchell and his perspective on fashion and blackness, in celebration of Tyler's first solo exhibition, "I Can Make You Feel Good." With 2018's September Issue, featuring Beyoncé, Tyler Mitchell became the first black photographer to shoot an American Vogue cover. Prior to this accomplishment, Tyler was already rising as a coveted image maker in the fashion industry, producing an avant-garde documentary for Givenchy and paying homage to 1990s hip-hop culture through his campaign for Marc Jacobs's Fall 2017 collection. The mission of 23-year-old Tyler to artistically capture the various shades and complexities of Blackness is reminiscent of the nascence of artist Jean-Michel Basquiat, whose career also catapulted at a young age, with the premier of his first solo exhibition, in 1981, at the Galleria d'Arte Emilio Mazzoli, in Modena, Italy. In addition to Mitchell's collaborating with incredible artists at such a young age, as Basquiat had done, his upbringing—which offered a mixture of experiences in congress with his Black heritage, due to cultural differences in his home and school experiences—has been a primary contributor to his creativity and mode of experimentation. Adding to the list of Tyler's incredible triumphs, the Foam Fotografiemuseum, in Amsterdam, is currently presenting his first solo exhibition, "I Can Make You Feel Good." Closing this week, "I Can Make You Feel Good" highlights striking imagery from Tyler's repertoire, which exudes the freeness, fluency, and passion of the Black utopia he celebrates and explores through photography and film. Most notably, the exhibition presents videos, including Idyllic Space and Chasing Pink, Found Red, facilitating the major themes of liberation that are delineated in his photographs, and a vitrine filled with various ephemera that characterize his Black heritage inspirations, including photographer Kwame Brathwaite and photographer and Black historian Deborah Willis. One of the most compelling photographs in the exhibition is Boys of Walthamstow, which represents an expression of freeness through the spectrum of Black masculinity. In the photograph, a line of boys stand in a field in various poses that coincidentally meld together. In conjunction with the spatial scenery, the boys stand almost in solidarity, like an unspoken brotherhood, wearing their baggy denim pants. Rooted in psychological protection, billowed silhouettes like this have, over the past century, included demonized connotations of Black men, beginning with the zoot suit, in the 1940s. By the end of the 20th century, sagging denim pants and oversize shirts became a staple of hip-hop style and were reinterpreted by labels like Karl Kani and FUBU. In this way, Boys of Walthamstow acts as a buffer to filter those conventional attitudes regarding Black men, subverting them to express lightness and freedom. Creating connections to his inspirations, such as Kwame Brathwaite's Black Is Beautiful photographic series, another major theme of the exhibition was highlighting aspects of comfort and tenderness, declaring how Black people are not monolithic. There has always been an unwarranted fear of Black bodies within the Western context; slavery in the United States has certainly exacerbated this fear. Yet through his photographs in the exhibition, like An All-American Family Portrait and Safety Blanket, Mitchell honors the history of the Black Family and the undeniable love, protection, and strength that exist within it. There is also the photograph Untitled (Two Girls Embrace), which presents a feeling of tenderness through these young Black girls dressed in vibrant sweaters, one in pink velvet and another in neon green, with one girl embracing the other. The photograph is sentimental and operates in dialogue with the Boys of Walthamstow, delineating the same sense of love, camaraderie, and liberation, all through bodily expressions and clothing. |
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